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+ +<div align="justify"> +<h1 style="background-color: rgb(255, 204, 153);"><font size="6" color= +"#808000"><strong>Beauty</strong></font></h1> +<p><br> +<font size="4">Beauty can be goodness or perfection not only for visual +perception but any kind of perception that human are capable of.</font></p> +<p><br> +<font size="4">Beauty for different people can be different things even though +there seem to be some standard forced to what beauty really is. For example, +the<a href= +"http://dibrinispot.blogspot.com/2007/06/beauty-of-sleeping.html">Sleeping +Beauty</a>seems to represent the standard beauty of all women. At the same +time, this standard of beauty dominates other aspects of beauty with its +elements.</font></p> +<p><br> +<font size="4">Beauty is actually the colonisation of discourse. Because what +counts as beauty and what doesn’t is determined by the hegemonic group within a +society, the voice of the other group in the society with less power on +discourse doesn’t have its say about what beauty is.</font></p> +<p><br> +<font size="4">For example, Beauty in communication is considered to the +“two-way symmetrical” communication. J. E. Grunig is the father of the two-way +symmetrical communication who defines his invention as the communication in +which the needs of both (or all) parties are equally satisfied. On the other +hand, E. L. Toth may argue that beauty in communication is the stage in which +communication produces the most cash value for the communicator. Now whose +communication is a beauty?</font></p> +<p><br> +<font size="4">Therefore, beauty, like reality and the scientific and +philosophical core essence of the world, is again not static but shifting and +unstable in regards to human interpretation which is also unstable in regards +to many thing else around them.</font></p> +<h3> </h3> +</div>