<feed xmlns="http://www.w3.org/2005/Atom">
	<title>Dibrinian Dictionary of Definition: ALL that can be felt</title>
	<subtitle>
		A dictionary of thoughts, the floats, flux, and fire flies.
	</subtitle>
	<id>@wiki</id>
	<link href="http://dkav.atwiki.com/"/>
	<author>
		<name>32687</name>
	</author>
	<updated>
		2007-07-19T05:55:06Z
	</updated>
	
		<entry>
		<title>
			Internet
		</title>
		<link href="http://dkav.atwiki.com/page/Internet" />
		

		<id>@wiki::48/</id>
		<published>
			2007-07-19
			
		</published>
		<updated>
			2007-07-19T05:55:06Z
		</updated>
		
		
				
		<summary>
			
Internet,
the
 
the Human-customised Planet Earth.
Explore The
Internet
 

		</summary>
	</entry>
		<entry>
		<title>
			Blog, Academic
		</title>
		<link href="http://dkav.atwiki.com/page/Blog%2C%20Academic" />
		

		<id>@wiki::47/</id>
		<published>
			2007-07-13
			
		</published>
		<updated>
			2007-07-13T04:57:23Z
		</updated>
		
		
				
		<summary>
			
 
Academic
Blog

Blogs are written because, first of all, there are some things that people want
to express. Blog is the solution of this expression in ways that in functions
as a place or a space for expressions of and about things. What expressed in
blog can be anything. From raw to defined. Impossibility to inexistence. 

The origin of blog apart from the content itself is composed of two elements
mainly. First is the “free” virtual space called “world wide web” along with
its immediate access giving the “power” of free expression to those in need of
expression. Second is the unsure feeling of being refused by the set of
“standards” required by “the other place” available for expression particular
types of expression of particular groups of people.

Therefore, not only does the blog function as a place for expression that is
free of rules or tight standard to be fulfilled, also is it a place for an
escape!

		</summary>
	</entry>
		<entry>
		<title>
			Limitation
		</title>
		<link href="http://dkav.atwiki.com/page/Limitation" />
		

		<id>@wiki::46/</id>
		<published>
			2007-07-13
			
		</published>
		<updated>
			2007-07-13T04:28:12Z
		</updated>
		
		
				
		<summary>
			

Limitation
 


    Limitation is what people always turn the blind eye to. Limitation is
undesirable. It is something people don’t like because it represents, show, and
assure human’s “imability”.
   
    All the time, human try to find ways to improve their ability in doing
things. So what they will hate the most is the opposite side of doing
so—limitation.

		</summary>
	</entry>
		<entry>
		<title>
			Blank
		</title>
		<link href="http://dkav.atwiki.com/page/Blank" />
		

		<id>@wiki::45/</id>
		<published>
			2007-07-07
			
		</published>
		<updated>
			2007-07-07T03:24:47Z
		</updated>
		
		
				
		<summary>
			

 

 

 


Blank

 

 

 

 

 

There is no absolute
emptiness and nothingness in this world; there is only a being of emptiness
within which almost everything is possible. The fact that it is called
“emptiness” or “nothing” is only another limitation of
language which works as a
guardian against fear and dreadful uncertainty. The easiest example for this
would be that a “thing” is not an opposite word of
“nothing”.

		</summary>
	</entry>
		<entry>
		<title>
			History, Parallel
		</title>
		<link href="http://dkav.atwiki.com/page/History%2C%20Parallel" />
		

		<id>@wiki::44/</id>
		<published>
			2007-07-06
			
		</published>
		<updated>
			2007-07-06T04:42:42Z
		</updated>
		
		
				
		<summary>
			

 


Parallel History

 

Termed right at this
moment by the Dibrinian concept, PARALLEL HISTORY
is the two stories about
the same event with different angles which can be totally opposite to each
other.

 

For example, the events
in the history of one country may not be the same thing in the history of its
neighbouring country. It can even be offensive to them in case of occurring
conflicts, if any.

 

The Parallel History is
a good demonstration of interpretations, judgements, and
prejudice involving in writing stories. This proves once again that history
isn’t any more credible than those we have heard of.

 

Another angle that
Dibrini would like to think about the Parallel History is that when a story is
a “history” to one group of people, it might be only a rumour or even a false
story to other group of people. The world has its own history, the story of
human races and animals and cultures and civilisations. On the other hand,
human see the story about aliens and lives outside the
planet earth as something that still has to be proved true. They might not see
it this way (if there is a “they” out there”). Everything that has been written
about those outside the earth can best be only “a fiction” or a little better
“a science-fiction”—it can never be a history.

 

Do human know that their
history, the story about themselves, can only be a Parallel History for
“the others”?

		</summary>
	</entry>
		<entry>
		<title>
			History
		</title>
		<link href="http://dkav.atwiki.com/page/History" />
		

		<id>@wiki::43/</id>
		<published>
			2007-07-06
			
		</published>
		<updated>
			2007-07-06T04:32:54Z
		</updated>
		
		
				
		<summary>
			
 
 
 
 

HISTORY
 
 

There are so many things in this word. Origin, development,
directions, innovation, evolution, change, metamorphosis, power, race, gender,
domination.

 

 

First of all, not everyone gets to write the
content of history. Only important persons get to write history; as the matter
of fact, only what theythinkshould
be history are recorded as history. In the process of history formation (by
those who get to write it), topics are “selected” out of many others that are
“less” important. Here, there lies a considerable amount of judgement
onwhat are more and
less important than othersthat should be written as history. It is not only
the judgement itself but the judgement of a group of people (not everyone
involved in the content of history).

 

 

It
is fair to say then that history is only another kind of story like such things
as bedtime story, ghost story, and rumours. It is not always true. It may be
not true at all in some cases. Like all other stories, it is up to our own
judgement (again) what to believe or not to believe. Human may praise history
over other types of story but really there is no rigid evidence that history is
more credible than all those we have heard.

 

Interpretation

 

Human essences

		</summary>
	</entry>
		<entry>
		<title>
			Dictionary
		</title>
		<link href="http://dkav.atwiki.com/page/Dictionary" />
		

		<id>@wiki::42/</id>
		<published>
			2007-07-04
			
		</published>
		<updated>
			2007-07-04T06:18:58Z
		</updated>
		
		
				
		<summary>
			=='''Dictionary'''==




Here is the place where things are defined with human language tools that has been built to ease the exchange of understanding. However, this purpose of this tool limits the understanding of the ultimate reality by building a perceptual wall against one.

Therefore, dictionary based on the construction of language is the where the limitation of interpretation and understanding of reality and things in it is “clearly” defined. It frames what should be seen and what shouldn’t about things.

There are so many examples around human activities of this Dibrinian claim. For example, human call the used meaning outside their dictionary of a word inside the dictionary “a slang”. Not long after that, they realise that they have to include that meaning in their dictionary for reason that they WANT the dictionary to be the place where everything is defined. Now the dictionary either gets fatter and fatter, or grows into many categories of dictionary such as scientific dictionary, music dictionary, Shakespearean dictionary, dictionary of slangs, etc. 

When human have too many types of dictionary, they start to compare the meaning of the same word from different dictionaries to see if they fit the meaning human are looking for. And none of those does. And there comes yet another slang to be included into one of those dictionaries in the near future. After a while, they will need “a dictionary of dictionaries”.

So, having gone through this one might be able to the INABILITY of setting things in place one of which is defining meanings of things. It is when human can get across their line of ego. And only then is when their true truth becomes visible.
		</summary>
	</entry>
		<entry>
		<title>
			Subcommunication
		</title>
		<link href="http://dkav.atwiki.com/page/Subcommunication" />
		

		<id>@wiki::41/</id>
		<published>
			2007-07-04
			
		</published>
		<updated>
			2007-07-04T06:59:55Z
		</updated>
		
		
				
		<summary>
			=='''Subcommunication'''==


Because of at least one component of communication is uncontrollable, the whole communication is made uncontrollable. Dibrini would like to call this uncontrollable component SUBCOMMUNICATION.

A Subcommunication can be the hidden message(s) within the main (obvious) message sent and received on the surface of communication. This is a level of robotic communication in human communication. However, another level of human communication is the Subcommunication in which there are several of messages floating to be detected by communicators’ ability of interpretation.

Subcommunication is uncontrollable because, first of all, one cannot control others and, second, one does not seem to have a total control over oneself. This results in that the message and its hidden contents are not totally controlled by the sender, that how the message is sent is not controlled, and that the interpretation of the receivers cannot be controlled by the sender. Even in the simplest form of communication, all of these then generate Subcommunication.
		</summary>
	</entry>
		<entry>
		<title>
			Communication
		</title>
		<link href="http://dkav.atwiki.com/page/Communication" />
		

		<id>@wiki::40/</id>
		<published>
			2007-07-04
			
		</published>
		<updated>
			2007-07-04T06:08:12Z
		</updated>
		
		
				
		<summary>
			
 
 
COMMUNICATION
 
 

The most recent exemplification of
communicational behaviour of human is BIG BROTHER, the most intense
communication scenario that can be thought of in all time.

In BIG BROTHER, the contexts, environment, and habits of communication are
captured and forced to perform in one intense circumstance in which all the
“communicators” are not able to avoid these elements of their communication.
This is because the nature of the game itself is that the one who communicates
the best wins. Not only all the communicators have to communicate to one
another, but have they also to communicate with the public who is watching on
outside as well.

Many communication games seen in the BIG BROTHER show includes groupthink
syndrome, social loafing, majority vote, domination, resistance, game-playing,
conflict resolution behaviour, being in or under the radar, and many
more.

The situation there in the show becomes intense because of the fact that
everyone is aware of the communication game they are dealing with. In the game,
they expect the sincerity and living a “genuine” type of communication as much
as possible. Whereas in normal life human communication game does not require
full-time attendance from the communicators, the communicators have their time
out from being game players.

Dibrini looks at communication as something that can’t be explained or defined
because of its interactions with human behaviour and psychology. Therefore,
communication game obviously cannot demonstrate or experiment the mechanism of
communication. As the matter of fact, it has been something yet to be explored
at all time.
 

		</summary>
	</entry>
		<entry>
		<title>
			Art
		</title>
		<link href="http://dkav.atwiki.com/page/Art" />
		

		<id>@wiki::39/</id>
		<published>
			2007-06-26
			
		</published>
		<updated>
			2007-06-26T12:28:26Z
		</updated>
		
		
				
		<summary>
			

 
 
 
ART

 

Art is the not of the nature; art is only what created by human.
And because the word ART is defined in the
pleasant and praiseworthy term,
ARTs therefore can only be things that are
accepted and admired by at least a group of human of the importance, the
discourse,
and the reality that ART
possesses.
 

		</summary>
	</entry>
	
</feed>